Written from the perspective of the schoolyard, this simply illustrated tale stimulates thought on issues of responsibility. When the classmates of a young boy who has been bullied all deny blame for the incident, they offer many common excuses why they declined to step in on their peer's behalf. The familiar, first-person narration of the young characters begs the question, Do...(展开全部)

WINNER OF THE 2013 CALDECOTT MEDAL! From the creator of the #1 New York Times best-selling and award-winning I Want My Hat Back comes a second wry tale. When a tiny fish shoots into view wearing a round blue topper (which happens to fit him perfectly), trouble could be following close behind. So it’s a good thing that enormous fish won’t wake up. And even if he does, i...(展开全部)

When a tiny fish shoots into view wearing a round blue topper (which happens to fit him perfectly), trouble could be following close behind. So it's a good thing that enormous fish won't wake up. And even if he does, it's not like he'll ever know what happened... Visual humor swims to the fore as the best-selling Jon Klassen follows his breakout debut with another deadpan-funny...(展开全部)

WINNER OF THE 2013 CALDECOTT MEDAL! From the creator of the #1 New York Times best-selling and award-winning I Want My Hat Back comes a second wry tale. When a tiny fish shoots into view wearing a round blue topper (which happens to fit him perfectly), trouble could be following close behind. So it’s a good thing that enormous fish won’t wake up. And even if he does, i...(展开全部)

When a tiny fish shoots into view wearing a round blue topper (which happens to fit him perfectly), trouble could be following close behind. So it's a good thing that enormous fish won't wake up. And even if he does, it's not like he'll ever know what happened... Visual humor swims to the fore as the best-selling Jon Klassen follows his breakout debut with another deadpan-funny...(展开全部)

在线阅读本书 "I was born with skins too few. Or they were scrubbed off me by...robust and efficient hands." The experiences absorbed through these "skins too few" are evoked in this memoir of Doris Lessing's childhood and youth as the daughter of a British colonial family in Persia and Southern Rhodesia Honestly and with overwhelming immediacy, Lessing maps the growth of her consc...(展开全部)

In this examination of the monster as cultural object, Judith Halberstam offers a rereading of the monstrous that revises our view of the Gothic. Moving from the nineteenth century and the works of Shelley, Stevenson, Stoker, and Wilde to contemporary horror film exemplified by such movies as "Silence of the Lambs," "Texas Chainsaw Massacre," and "Candyman," "Skin Shows" unders...(展开全部)

Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the turn of the twentieth century. Stepping outside of the platitudes surrounding this iconic figure, Anne Anlin Cheng argues that Baker's famous nakedness must be understood within large...(展开全部)